英语导游词1 EmperorQinShihuang(259-210B.C.)hadYingashissurnameandZhengashisgivenname.Henametothethroneo下面是小编为大家整理的英语导游词五篇,供大家参考。
英语导游词1
Emperor Qin Shihuang (259-210B.C.) had Ying as his surname and Zheng as his given name. He name to the throne of the Qin at age 13, and took the helm of the state at age of 22. By 221 B.C., he had annexed the six rival principalities of Qi, Chu, Yan, Han, Zhao and Wei, and established the first feudal empire in China’s history.
In the year 221 B.C., when he unified the whole country, Ying Zheng styled himself emperor. He named himself Shihuang Di, the first emperor in the hope that his later generations be the second, the third even the one hundredth and thousandth emperors in proper order to carry on the hereditary system. Since then, the supreme feudal rulers of China’s dynasties had continued to call themselves Huang Di, the emperor.
After he had annexed the other six states, Emperor Qin Shihuang abolished the enfeoffment system and adopted the prefecture and county system. He standardized legal codes, written language, track, currencies, weights and measures. To protect against harassment by the Hun aristocrats. Emperor Qin Shihuang ordered the Great Wall be built. All these measures played an active role in eliminating the cause of the state of separation and division and strengthening the unification of the whole country as well as promotion the development of economy and culture. They had a great and deep influence upon China’s 2,000 year old feudal society.
Emperor Qin Shihuang ordered the books of various schools burned except those of the Qin dynasty’s history and culture, divination and medicines in an attempt to push his feudal autocracy in the ideological field. As a result, China’s ancient classics had been devastated and destroy. Moreover, he once ordered 460 scholars be buried alive. Those events were later called in history“the burning of books and the burying of Confucian scholars.”
Emperor Qin Shihuang，for his own pleasure, conscribed several hundred thousand convicts and went in for large-scale construction and had over seven hundred palaces built in the Guanzhong Plain. These palaces stretched several hundred li and he sought pleasure from one palace to the other. Often nobody knew where he ranging treasures inside the tomb, were enclosed alive.
Emperor Qin Shihuang’s Mausoleum has not yet been excavated. What looks like inside could noly be known when it is opened. However, the three pits of the terra-cotta warriot excavated outside the east gate of the outer enclosure of the necropolis can make one imagine how magnificent and luxurious the structure of Emperor Qin Shihuang’s Mausoleum was.
No.1 Pit was stumbled upon in March 1974 when villagers of Xiyang Village of Yanzhai township, Lintong County, sank a well 1.5km east of the mausoleum. In 1976, No.2 and 3 Pits were found 20m north of No.1 Pit respectively after the drilling survey. The terra-cotta warriors and horses are arrayed according to the Qin dynasty battle formation, symbolizing the troops keeping vigil beside the mausoleum. This discovery aroused much interest both at home and abroad. In 1975, a museum, housing the site of No.1 and covering an area of 16,300 square meters was built with the permission of the State Council. The museum was formally opened to public on Oct.1, the National Day, 1979.
No.1 Pit is 230 meters long from east to west, 62m wide from north to south and 5m deep , covering a total area of 14,260 square meters. It is an earth-and-wood structure in the shape of a tunnel. There are five sloping entrances on the eastern and western sides of the pit respectively. The pit is divided into eleven corridors by ten earthen partition walls, and the floors are paved with bricks. Thick rafters were placed onto the walls (but now one can only see their remains), which were covered with mats and then fine soil and earth. The battle formation of the Qin dynasty, facing east. In the east end are arrayed three lines of terra-cotta warriors, 70 pieces in each, totaling 210 pieces. They are supposed to be the van of the formation. Immediately behind them are 38 columns of infantrymen alternating with war chariots in the corridors, each being 180m long. They are probably the main body of the formation. There is one line of warriors in the left, right and west ends respectively, facing outwards. They are probably the flanks and the rear. There are altogether 27 trial trench, it is assumed that more than 6,000 clay warriors and horses could be unearthed from No.1 Pit.
No.2 Pit sis about half the size of No.1 Pit, covering about 6,000 square meters Trail diggings show this is a composite formation of infantry, cavalry and chariot soldiers, from which roughly over 1,000 clay warriors, and 500 chariots and saddled horses could be unearthed. The 2,000-year-old wooden chariots are already rotten. But their shafts, cross yokes, and wheels, etc. left clear impressions on the earth bed. The copper parts of the chariots still remain. Each chariot is pulled by four horses which are one and half meters high and two metres long. According to textual research, these clay horses were sculptures after the breed in the area of Hexi Corridor. The horses for the cavalrymen were already saddled, but with no stirups.
No.3 Pit covers an area of 520m2 with only four horses, one chariot and 68 warriors, supposed to be the command post of the battle formation. Now, No.2 and 3 Pits have been refilled, but visitors can see some clay figures and weapons displayed in the exhibition halls in the museum that had been unearthed from these two pits. The floors of both No.1 and 2 Pits were covered with a layer of silt of 15 to 20cm thick. In these pits, one can see traces of burnt beams everywhere, some relics which were mostly broken. Analysis shows that the pits were burned down by Xiang Yu, leader of a peasant army. All of the clay warriors in the three pits held real weapons in their hands and face east, showing Emperor Qin Shihuang’s strong determination of wiping out the six states and unifying the whole country.
The height of the terra-cotta warriors varies from 1.78m, the shortest, to 1.97m, the tallest. They look healthy and strong and have different facial expressions. Probably they were sculpted by craftsmen according to real soldiers of the Qin dynasy. They organically combined the skills of round engraving, bas-relief and linear engraving, and utilized the six traditional folk crafts of sculpturing, such as hand-moulding, sticking, cutting, painting and so on. The clay models were then put in kilns, baked and colour-painted. As the terra-cotta figures have beeb burnt and have gone through the natural process of decay, we can’t see their original gorgeous colours. However, most of the terra-cotta figures bear the trace of the original colours, and few of them are still as bright as new. They are found to be painted by mineral dyestuffs of vermilion, bright red, pink dark green, powder green, purple, blue, orange, black and white colours.
Thousands of real weapons were unearthed from these terra-cotta army pits, including broad knives, swords, spears, dagger-axes, halberds, bows, crossbows and arrowheads. These weapons were exquisitely made. Some of theme are still very sharp, *yses show that they are made of alloys of copper and tin, containing more than ten kinds of other metals. Since their surfaces were treated with chromium, they are as bright as new, though buried underground for more than 2,000 years. This indicates that Qin dynasty’s metallurgical technology and weapon-manufacturing technique already reached quite a high level.In December 1980, two teams of large painted bronze chariots and horses were unearthed 20 metres west of the mound of Emperor Qin Shihuang’s Mausoleum. These single shaft four-horse chariots each comprises 3,462 spare parts, and has a body with two compartments, one behind the other, and an elliptical umbrella like canopy. The four horses harnessed to the chariot are 65-67 centimeters tall. The restored bronze chariots and horses are exact imitations of true chariot, horse and driver in half life-size.
The chariots and horses are decorated with coloured drawings against white background. They have been fitted with more than 1,500 piecese of gold and silvers and decorations, looking luxurious, splendid and graceful. Probably they were meant for the use of Emperor Qin Shihuang’s soul to go on inspection. The bronze chariots and horses were made by lost wax casting, which shows a high level of technology. For instance, the tortoise-shell-like canopy is about 4mm thick, and the window is only 1mm thick on which are many small holes for ventilation. According to a preliminary study, the technology of manufacturing the bronze chariots and horses has involved casting, welding, reveting, inlaying embedding and chiseling. The excavation of the bronze chariots and horses provides extremely valuable material and data for the textual research of the metallurgical technique, the mechanism of the chariot and technological modeling of the Qin dynasty.
No.2 bronze chariot and horses now on display were found broken into 1,555 pieces when excavated. After two-and-half years’ careful and painstaking restoration by archaeologists and various specialists, they were formally exhibited in the museum on October 1, 1983. No.1 bronze chariot hand horses are on display from 1988.
英语导游词2
Among the numerous cultural relics and historic sites in Guiyang, there is a national key cultural relics protection unit Xifeng concentration camp; there is the only wooden structure with three stories and three eaves and unequal sides of jiujiaozanjianding attic in China; Wenchang Pavilion built in 1610, the 38th year of Wanli in the Ming Dynasty; Jiaxiu Pavilion, as the current symbol of Guiyang City, built in 1598, the 26th year of Wanli in the Ming Dynasty; There are the largest Buddhist jungle in Guizhou, Hongfu temple built in 1672, and Yangming temple built in 1794 in memory of Shou Ren, a famous philosopher and educator of the Ming Dynasty.
Guiyang is a multi-ethnic city with the Han nationality as the main population. Its long history has bred the splendid national cultures of 38 ethnic groups in this land, and formed a strong national customs. There are young men and women of ethnic minorities through affectionate songs and dances, and "April 8", "March 3", "June 6" and "dance field" festivals to find their favorite people; Nuo opera and local opera, known as the rudiment and "living fossil" of Chinese drama, trace the long history of Chinese culture and record the blend of Central Plains culture and Guizhou national culture.
Embroidery and cross stitch are two wonderful flowers blooming in the hundred flower garden of Guiyang National traditional crafts. Batik products contain the artistic charm of national culture. They are favored by friends at home and abroad, just like the rough, simple Nuo masks and other national cultural products.
英语导游词3
hello,everyone!
now our already arrived the huangshan mountain scenic ot southernregion strategic place soup mouth. first introduces the huangshanmountain scenery in here to you the survey.
huangshan mountain, is located south the chinese anhui province, isthe chinese nanling sierra the part, entire mountain areaapproximately ,200 square kilometers. the huangshan mountain mountainsystem center-section, is huangshan mountain"s essence are partial,also huangshan mountain scenic ot which must tour on us, areaapproximately 54 square kilometers. it within the boundaries ofhuangshan mountain city, south neighbour she county, huizhou area,xiuning county and yi xian, north continually yellow mountainous area;these five counties, the area also all belong to the huangshanmountain city jurisdiction.
huangshan mountain in chinese tang dynasty before is called themountain, is the black appearance, because on the mountain therock blue black is blue black, the ancient gives it such name. thefable we chinese race"s ancestor shaft yellow emperor in completes thearea south of yellow river to unify after industry, founds the chinesecivilization, arrives here to pick the medicine to build up dan, takesa bath in the hot ring, thus obtains enlightenment the immortal.tang dynasty renowned emperor ming huangli the proerous baseextremely will believe this view, (747 years) has gotten downtogether the imperial edict in day valuable six years, the mountain willchange name huangshan mountain. the meaning is, this mountain isyellow emperor"s mountain. from then on, huangshan mountain this nameone until now.
the friends, you are not far thousand, even wan lidao here, must lookat huangshan mountain with own eyes the america? not is must feel atime of life to be joyful? yes, huangshan mountain is certainlybeautiful certainly beautiful, may say the day wonderful mountain, canascend a height to get a broad view it, has a look it with own eyes,truly is a life big happy event. before the very long long time, inthe long geologic history generation, the nature infinite strength,has molded the huangshan mountain that certainly beautiful elegantdemeanour and all sorts of unusual landscapes very much, makes onefall, is elated.
huangshan mountain"s america, first on beautifully in its high peak.here competes xiu, feng feng expresses admiration, reectively hasthe characteristic, each charm. the huangshan mountain high peak hashow many, but also does not have an accurate numeral. in the historysuccessively names has 36 big peaks, 36 small peaks, recent years alsohad 0 famous peaks to be selected "the huangshan mountain will". thismore than 80 mountain peaks high overwhelming majority above theelevation kilometer, lotus flower peak is all highest ( ,864 meters),the light goes against is next ( ,84 meters), the day all peak rankold three ( 829.5 meters), these three big peaks and the graceful bearingoutstanding beginning letter peak ( ,683 meters), are huangshanmountain"s friends, even if mounts in these four high peaks, alsocalculated no empty this under, i "four certainly" separately make again huangshan mountain anintroduction.
said huangshan mountain "four certainly", arranges at first working asis the wonderful pine. yellow pinus montana wonderfully in what place?first is wonderfully in it does not have compared to obstinate
英语导游词4
Mount Rushmore is a memorial to the birth,growth,preservation and development of the United States of America. Gutzon Borglum sculpted busts of Presidents George Washington,Thomas Jefferson,Theodore Roosevelt,and Abraham Lincoln high in the Black Hills to represent the first 150 years of American history.
The primary resource at Mount Rushmore is the granite sculpture itself,but also of interest is the Sculptor"s Studio built under the direction of Sculptor Gutzon Borglum in 1939. Unique plaster models and tools related to the sculpting process are displayed in the studio.
英语导游词5
Dear tourists
hello everyone!
Im very glad to be here with friendsfromall over the world. Im pan, the tour guide of this trip. I hope we can have a good time.
Maiji Mountain, about 50 kilometers southeast of Tianshui, Gansu Province, is an isolated peak in Xiaolong mountain of Qinling Mountains in China. The total area of the scenic spot is 215 square kilometers, including Maiji Mountain, Xianren cliff, Shimen, Quxi four scenic spots and Jieting ancient town. Maijishan Grottoes is a national key cultural relic protection unit and a world-famous art treasure house. The difficulty and wisdom of digging hundreds of caves and Buddha statues on the cliff is very rare in Chinas grottoes. Come down, lets go and have a look.
After entering the scenic area, what does Maiji Mountain look like now? Yes, it looks like a wheat stack. Maiji Mountain is a typical Danxia landform with a height of 80 meters. There are more than 7200 statues and muralsfrommore than ten dynasties, including the later Qin Dynasty, the Western Qin Dynasty, the Northern Wei Dynasty, the Western Wei Dynasty, the Northern Zhou Dynasty, the Sui and Tang Dynasties, the Five Dynasties, the Song Dynasty, the Yuan Dynasty, the Ming Dynasty and the Qing Dynasty. They are distributed in 194 caves with an area of more than 1300 square meters. They are known as the four major caves in China, together with Dunhuang Mogao Grottoes, Datong Yungang Grottoes and Luoyang Longmen Grottoes. In terms of artistic features, Dunhuang focuses on gorgeous murals, Yungang and Longmen are famous for their magnificent stone carvings, while Maiji Mountain is famous for its exquisite statues. As our sculptor Liu Kaiqu praised: Maijishan is "a large sculpture museum in Chinese history."
When you step into the plank road, you must pay attention to safety. Now you can see a group of carved statues chiseled by the cliff. There is a Buddha in the middle, which is 15 meters high. There are two Bodhisattvas standing in front of them, smiling and welcoming the tourists. This is also the largest Buddha statue in Maiji Mountain. Now what you can see is the most magnificent seven Buddha Pavilion in Cave 4. There are 42 statues of Bodhisattvas in the seven niches, which are solemn and amiable, gorgeous and not vulgar.
Now you come to Xiya grottoes, the largest of which are caves 133 and 127. No.133 stele cave is the most special cave in Maiji Mountain. In the cave, there are not only many clay sculptures, but also 18 stone tablets, some of which are covered with thousands of Buddha statues, so they are also called "ten thousand Buddha Hall". Among them, No. 10, No. 11 and No. 16 are the essence of numerous tablets. Cave 127 is even more wonderful. This statue, not to mention Maiji Mountain, is a rare treasure in the world Buddhist art.
Lets enjoy the main scenic area of Maiji Mountain first. Thank you again for your support for Xiaopans work! Welcome to Gansu and Maiji Mountain again!
Thank you!
推荐访问: 英语 导游词 英语导游词五篇 英语导游词1 英语导游词100字左右